| CHAPTERS | Published Min. | 1 | *Your Protagonist's Journey: Birth, Love & Death | 1.8 | 1.8
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2 | *TENSION = HOPE + FEAR = MONEY IN YOUR BANK | 1.5 | 3.3
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3 | *Write A Roller Coaster | 9 | 12.3
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4 | *Always Be In 1 Of The 36 Dramatic Situations | 7.5 | 19.8
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5 | *Dorian Gray: A Top-Tier Roller Coaster Story | 1.6 | 21.4
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6 | Write For The Eye! | 5.5 | 26.9
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7 | Fully Connect The All Important Causal Chain | 5.3 | 32.2
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8 | Write TWO stories Interwoven, Not Just 1 | 1.6 | 33.8
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9 | Simple, Clear, Honest, Clean (Tolstoy's 7-Year-Old Boy Acid Test) | 1.2 | 35
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10 | Single Protagonist Point Of View: The secret weapon of the masters | 5.3 | 40.3
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11 | Live Big, Write Big | 1.1 | 41.4
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12 | Screenwriting Is Songwriting | 2.5 | 43.9
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13 | Who, What, When, Where, Why, to Whom | 0.6 | 44.5
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14 | 4 Wheels: Heart, Brains, Muscle, & Spirit | 4.5 | 49
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15 | Two Dogs Fighting For One Bone | 0.5 | 49.5
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16 | If It Ain't Baroque, Don't Fix It | 1.1 | 50.6
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17 | Strip Out Everything Unnecessary | 1.1 | 51.7
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18 | Where's The Puck | 1.5 | 53.2
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19 | Avoid The Double-Curse: Violence + Boredom | 1.7 | 54.9
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20 | Your Central Universal Moral Proposition | 2.3 | 57.2
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21 | Put Your Protagonist Through Hell | 2.5 | 59.7
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22 | Choose A Conflict-Oriented Title | 2.5 | 62.2
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23 | How To Write A Great Logline Fast, Every Time | 2.7 | 64.9
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24 | Write STRUCTURE Before You Write Words | 1.3 | 66.2
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25 | Archetypal Characters | 2.8 | 69
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26 | Combine Stock Characters To Make Fresh Ones | 2.4 | 71.4
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27 | The Simple, Foolproof, Always Works Way To Sell Your Screenplay | 0.2 | 71.6
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28 | Quotations On Screenwriting | 6.5 | 78.1
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29 | Billy Wilder: 10 Screenwriting Tips | 0.8 | 78.9
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30 | Robert McKee's Ten Commandents | 1.1 | 80
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31 | No Coincidences | 0.9 | 80.9
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32 | Pre-Submission Checklist For Movie & TV Scripts | 7.8 | 88.7
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33 | Write Screenplays Like international Ad's | 1.3 | 90
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34 | Larry Brody's Script Checklist | 4.9 | 94.9
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35 | Guerrilla SCREENWRITING | 4.6 | 99.5
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36 | Stuart Beatty's 5 Suggested Rules Of Screenwriting (Humor) | 0.5 | 100
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37 | Your #1 USER / First Reader | 0.8 | 100.8
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38 | Enneagrams | 2 | 102.8
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39 | Write your own material | 0.3 | 103.1
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40 | INPUT / Listening/ reading/ watching | 1.7 | 104.8
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41 | What do you care about | 0.9 | 105.7
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42 | Dramatic Writing Secrets | 3.9 | 109.6
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43 | CENTRAL DRAMATIC QUESTION | 1.9 | 111.5
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44 | DRAMATIC PROPOSITION | 4.2 | 115.7
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45 | The Initial Sword Clash | 1.1 | 116.8
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46 | Story | 13.8 | 130.6
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47 | Guidelines For Writing Biblical Adaptations | 2.5 | 133.1
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48 | Timeliness | 0.8 | 133.9
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49 | Screenwriting Workshop Notes | 9.4 | 143.3
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50 | Should You Hire A Story Consultant? | 1.4 | 144.7
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51 | How To Pitch a Series Idea | 0.5 | 145.2
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52 | When Others Want To Take Credit For Your Song | 2.2 | 147.4
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53 | Can you offer me any advice or helpful hints on songwriting, | 1.8 | 149.2
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54 | How To Get Feedback while keeping all your credit and rights | 0.7 | 149.9
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55 | Interesting Graphic-Novels / Comics | 0.2 | 150.1
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56 | List Of Qualities That Make A Good Movie |
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57 | Great Concept And Storyboard Artists |
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58 | appendix: Songwriting 101 (Excerpts) |
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59 | Typical Screenplay Pacing and Break Points |
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| | 150.1/0 |
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